Tagged with Paintings
Resource : Portrait of James Barry
Born Margaret Bulkley, James Barry lived most of his life as a man, qualifying as a doctor and becoming an accomplished and respected military surgeon. His identity as a woman was only revealed when his maid laid him out after his death. It is not known whether Barry identified as a man or whether he simply kept up a disguise in order to have a medical career, at a time when women were denied this opportunity.
Resource : The Fighting Temeraire
JMW Turner is one of Britain’s best loved artists. He became known as the ‘painter of light’ due to his trademark style and use of colour in landscapes and seascapes. The Fighting Temeraire, one of his most famous oil paintings, shows the warship Temeraire being towed by a steam-powered tug on its last ever journey before being broken up. It is said to symbolise the decline of Britain’s naval power, the passing of the ‘glorious’ age of sail and the growth of ‘modern’ technology in an increasingly industrialised Britain. The industrial revolution and the history of the Royal Navy were therefore both saluted, through Turner’s revolutionary brand of romantic landscape painting.
Resource : Battlefield Injuries Illustrated by Charles Bell
This entry includes graphic illustrations of war injuries which some may find upsetting.
This is a watercolour painting by Charles Bell, a British Army surgeon who helped to treat the wounded after the Battle of Waterloo. His haunting paintings are stark reminders of what early 19th century battle injuries were like. They are rare images executed by a practising surgeon and artist, which was an unusual combination. While his portraits powerfully show the agony and trauma experienced by these young men, they also describe their wounds with anatomical accuracy.
Resource : Queen Marie Antoinette of France and two of her children walking in The Park of Trianon
Marie Antoinette was the wife of the last King of France, Louis XVI, before the French Revolution overthrew the monarchy. She was known for extravagance and indulgence, and was despised by the people of France. She came to symbolise the Ancien Régime – a long-standing system where the monarchy, aristocracy and Catholic Church held absolute power and privilege over ordinary people.
Resource : The Battle of Vertières
In the late 1700s, the western part (St. Domingue) of the Caribbean island of Hispaniola was under French colonial rule. It had long been a major centre of sugar production on plantations using enslaved African labour. In 1791, Toussaint Louverture led the first – and only – successful uprising of slaves, in St Domingue. After a series of bloody conflicts and traumas with European colonial powers, St Domingue was renamed Haïti and became the first independent Black republic in 1804. These events became known as the Haitian revolution and played an important role in the decline of the Transatlantic slave trade. This lithograph depicts the Battle of Vertières in 1803, the final engagement between Haiti’s revolutionaries and Napoleon’s French forces.
Resource : Bonaparte at the Pont d’Arcole, Antoine-Jean Gros
Napoleon rose to power during the French Revolution, crowning himself Emperor of France in 1804. He had ambitions to carve out a vast empire and dynasty, and successfully invaded and conquered countries across the European continent in a series of bloody battles, before he was finally defeated at the Battle of Waterloo in 1815. These became known as the Napoleonic wars.
Resource : Sir Joshua Reynolds’ portrait of Sir Banestre Tarleton
This portrait shows the flamboyant and controversial figure Sir Banestre Tarleton, a cavalry officer best known as commander of the ‘Tarleton Raiders’ during the American war of independence. It was painted by Sir Joshua Reynolds, the leading British portrait painter of the 18th century. Reynolds was a founding member of the Royal Academy and its first President, and was knighted by King George III.
Resource : Crompton’s spinning mule
The spinning mule was invented by Samuel Crompton in 1779. It revolutionised textile production by vastly increasing the amount of cotton that could be spun at any one time. But this also meant textile manufacturers no longer needed to pay individual spinners to create spindles (wooden rods) wound with cotton thread, as just one operator could now use the machine to spin hundreds of spindles at once.
